Robbie Cheadle’s ‘The Behemoth’ in WordCrafter Press’ Midnight Roost Anthology

I asked fellow Midnight Roost anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.

Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Roost (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).

Let’s start with a Hallowe’en-themed introduction to the anthology as a whole:

Robbie’s contribution is The Behemoth. Here’s the opening:

May 1488
The sun breached the horizon, spilling brilliant light across both sky and ocean. The water, an expanse of silver satin encrusted with clusters of glittering diamonds, paid homage, gracefully rising and dropping into curtseys.
The light unveiled the dark grey behemoth, seated on the shore. It illuminated her edges, turning them into a froth of lighter grey lace. Shards of brilliance splashed across her sombre mourning dress. The aging face of the immobile matriarch disappeared into thick, golden edged clouds, leaving a headless hulk.

How the story came about:
The Cape of Good Hope was also known as the Cape of Storms because of the treacherous winter storms that resulted in a total of 26 shipwrecks at Cape Point alone.
Legend has it that when Bartholomew Dias rounded this Cape of Storms and saw Table Mountain, he thought he was seeing a gigantic titan of the deep with it’s head veiled in white clouds. He imagined that the tides that foamed around the foot of the great mountain were the titan’s roar. The moment of Dias’ first sighting of this titan was described in the poem, Lusiadas, by Portuguese poet, Camoes. Camoes called the monster Titan Adamastor and depicted him as condemned to dwell imprisoned forever in the ‘furtherest confines of the south’ – the Cape of Storms. According to the poem, this sentence was passed by Jupiter when the Titans were vanquished following a war between these deities that lasted ten years. Adamastor and his brothers were imprisoned in various huge mountains around the world. Adamastor was filled with bitterness at his imprisonment and at losing the love of the queen of the sea, Thetis, and he swore eternal vengeance on all who should approach him and disturb his solitude. He shouted his rage and warnings of doom at Dias when he rounded the Cape.
In 1500, Dias returned to the Cape of Storms on his way to Sofala. As his fleet rounded the Cape it encountered a violent storm. Four of the ships, including the one captained by Dias, disappeared and Adamastor’s warning was fulfilled. From this unfortunate maritime disaster, the legend of the Flying Dutchman came into being.The Flying Dutchman is a legendary ghost ship which is said to have never been able to make port and is doomed to sail the oceans forever.
(and i have to tell you, folks, The Behemoth is one fine read!)
Continue reading “Robbie Cheadle’s ‘The Behemoth’ in WordCrafter Press’ Midnight Roost Anthology”

Why It Works for Me – Cherylynn Dyess’s “The Soul Maker”

This is the eleventh in a series I’m doing wherein I discuss why a particular piece of writing works for me, aka, this piece of writing taught me something about writing, encouraged me to be a better writer, engaged me, captivated me, educated me, et cetera.

As I’ve written elsewhere, it’s one thing to know something is good, it’s a better thing (in my opinion) to know why it’s good and then be able to copy what’s good about it, to learn from it so you can be as good and (hopefully) better.

This time out, Cherylynn Dyess’s “The Soul Maker” appearing in Harvey Duckman Presents Volume III.

 

 

The Lonely Oak (a Tale of the Woods) – Narration

You understand, don’t you? It’s magic, after all.

I shared the written The Lonely Oak (a Tale of the Woods) in a previous post. In the past few months I’ve listened to others reading my work and wondered how people would respond to it.

Besides, folks may want a break from a steady diet of Empty Sky (I’ll return to it in a few weeks, I promise).

Do let me know what you think. Suggestions for improving this are quite welcome.

Click on the “post” above to open the story in a separate tab/window if you wish to read along side.


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Morningsong

A Story Based on Great Lakes Aboriginal Legend

Every morning the runner’s legs churned the sand. Before his people rose from their slumbers, his legs pushed him to a point on the island from which other islands, islands which floated far in the east, could be seen. Before his people awoke, he came to where his island’s sand met the sea and sky.

The runner stood in the darkness at the edge of the peninsula, his toes meeting the waves. There was no sun but he raised his hands to his eyes as if shielding them from a great light. He stood there, his mind pacing, rehearsing what had been done so often before.

The horizon shimmered as the light of a new day began to make its presence known. The runner began to hum.

A Darkness mounted the waters between the far islands. The runner watched the darkness carefully. His hum became a soft song.

The Darkness rode the waves between the islands, moving towards the sun. The runner’s song became a clarion deep in his chest. Far away the sun changed the direction it travelled. It moved among the islands, its motion changing with each new chord the runner called. The Darkness followed the sun, striving after it, never in time to the changes in the song. The entirety of the runner’s mind was focused on the scene he choreographed.

Finally, the sun danced far out over the sea. The Darkness returned to the islands the sun had left behind. The runner grew silent. He turned to begin his walk back to the village and stopped. A boy, a youth just entering manhood, stood where the peninsula reached the island.

The runner walked along the peninsula, watching the boy. He stopped and stared when they were side by side.

“Why do you run every morning?” asked the boy. “What is the song you sing?”

“Do your elders know you have left the village?”


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The Magic Tassels

What we see often determines the magic we possess

There was once a little boy who left his village and returned knowing how to journey the way shaman do. He returned to his people wearing tassels on his wrists and everybody who saw these tassels knew they were magic but nobody said anything to him about them.

Each day, the young boy helped tend the village herds and fields, each evening he ate with the old and not-so-old, the young and not-so-young in the village. He laughed at their jokes and made some of his own, cried at their grief and mourned all of his own.

Finally, one evening, a little girl from the village came to the boy and asked, “Boy, what are those tassels you wear on your arms?”

She did this at the village fire and everyone grew quiet to hear what the big boy would say.

He smiled at the little girl and asked, “What do you see, little one?”

“I see snakes,” she said. “Big, beautiful snakes. Snakes to ride on and carry me away.”

The boy nodded. “Thank you, little girl. Thank you for telling me what these tassels are on my arms. Now I know they are snakes. Thank you very much.”

The little girl smiled and laughed and the grown boy did, too, as the little girl went off to play.

A few nights later one of the oldest men in the village came up to the boy by the village fire and asked, “What are those tassels on your arms, boy?”

“What do you see, Grandfather?” asked the boy.


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