Four More Books Accepted into Library of Congress

I am thrilled and honored to have four more of my books selected by the Library of Congress, accepted into General Collections, and assigned Library of Congress Control Numbers:


Tales Told ‘Round Celestial Campfires
LOCCN 2023448306


The Augmented Man
LOCCN 2023448307


The Inheritors
LOCCN 2023448305

Get 20% off Empty Sky or Tales Told 'Round Celestial Campfires
Empty Sky
LOCCN 2023448304

My ‘Blood Magic’ in WordCrafter Press’ Midnight Roost Anthology

I asked fellow Midnight Roost anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.

Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Roost (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).

Let’s start with a Hallowe’en-themed introduction to the anthology as a whole:

Blood Magic is the second of three of my pieces in Midnight Roost. Here’s the opening:

Julia danced among oaks and ash, two short steps towards Eric, two long steps away, always drawing him into the hollow, always a hand or two beyond his reach. Once one of her long, blonde braids brushed the back of his hand and he almost had her, but he wasn’t quick enough, never quick enough.
“You’re such an old woman, Eric.”
Eric stopped as Julia entered a copse of ancient, dark boled trees. His hands staid his knife and axe—good forester’s tools his father gave him—swinging at his belt. “We are too far from the village.”
“Says your grandmother, who brings apples to any who will listen.”
“The Old Ones remember— ”
“The old ones are old.” She disappeared among the trees.

How the story came about:
Blood Magic is one of those stories which went through several versions before seeing the light of day, and all based on going apple-picking with friends back in 1994(!). A little girl bit into an apple and burst into tears. She threw the apple down and acted as if it bit her back. There was no obvious reason for it, and that image of a cursed or biting apple stuck.
Previous titles were Tag, The Apple, The Witch, and finally Blood Magic. The core (forgive the pun) remained consistent, its expression went through more evolutions than the titles indicate. There was always the concept of the witch, the apple, Eric, and Julia. The story originally ended with Julia biting the apple and hearing laughter. She puts the apple down on a table and it turns, revealing the witch’s face laughing at her.
That ending was okay but I always knew there was more to the story. It literally went through twenty-eight versions before what you read now in Midnight Zoo.
Even then, the story in the anthology is actually the opening of Tag, a novel due out in Spring 2024. Same core (oy!) concepts but now written into a Medieval murder mystery which takes place in Eastern Europe after the Crusades.
Continue reading “My ‘Blood Magic’ in WordCrafter Press’ Midnight Roost Anthology”

My ‘The Beach’ in WordCrafter Press’ Midnight Roost Anthology

I asked fellow Midnight Roost anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.

Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Roost (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).

Let’s start with a Hallowe’en-themed introduction to the anthology as a whole:

The Beach is one of three of my pieces in Midnight Roost. Here’s the opening:

He found the gate. His hands remembered the twists and turns of the road and he guided his Maybach to a beach he hadn’t seen in forty years.
Moss and ivy grew over the gate’s red brick pillars, once clearly visible, striking in their elegantly manicured columns and granite-ball tops obscured by leaves and branches; its rusted black angels, their wings spread wide in flight—or warning. He never knew which—swung back from the road and into the overgrowth, the once firm hinges and hasps now slipping and twisted.
Birch and elm canopied the long twisting driveway, scrub pine marked its edges. Potholes blistered the once smooth pavement and roots broke through, scarring the surface.
He guided his Maybach at a crawl to its final destination, an animal wary in unfamiliar surroundings.

How the story came about:
The Beach is based on actual beach I discovered my first time through college. Pretty much everything in the story is based on what really happened…except killing. The killing is specific to the story. Aside from that, riding my bike, discovering the cove, seeing the mansions, even returning after successes in business (although just to see if the beach still existed, not to develop the property) are all based on actual events from my life.
Continue reading “My ‘The Beach’ in WordCrafter Press’ Midnight Roost Anthology”

Christopher Barilli’s ‘Shaken’ in WordCrafter Press’ Midnight Roost Anthology

I asked fellow Midnight Roost anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.

Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Roost (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).

Let’s start with a Hallowe’en-themed introduction to the anthology as a whole:

Christopher’s contribution is Shaken. Here’s the opening:

The crying started at one-thirty a.m., but Misty was already wide-awake. She’d been on the losing end of a staring contest with the red LED on her baby monitor, convinced she wouldn’t hear little Sammy if he cried. Yet when the cries came, she not only heard, but knew they weren’t from Sammy.

How the story came about:
This story was born from a news story I heard on the radio many years ago, a story about a couple who was picking up another baby’s crying in another state on their own baby monitor. That story spawned an idea for a whole novel, actually, about people who follow random radio signals on their monitor and are swept up in a terrifying murder plot, involving their own child. That novel may still come out someday, but I was writing a different full-length work at the time, so I went with the short story version. Thus, shaken was born.
Continue reading “Christopher Barilli’s ‘Shaken’ in WordCrafter Press’ Midnight Roost Anthology”

Robbie Cheadle’s ‘The Behemoth’ in WordCrafter Press’ Midnight Roost Anthology

I asked fellow Midnight Roost anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.

Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Roost (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).

Let’s start with a Hallowe’en-themed introduction to the anthology as a whole:

Robbie’s contribution is The Behemoth. Here’s the opening:

May 1488
The sun breached the horizon, spilling brilliant light across both sky and ocean. The water, an expanse of silver satin encrusted with clusters of glittering diamonds, paid homage, gracefully rising and dropping into curtseys.
The light unveiled the dark grey behemoth, seated on the shore. It illuminated her edges, turning them into a froth of lighter grey lace. Shards of brilliance splashed across her sombre mourning dress. The aging face of the immobile matriarch disappeared into thick, golden edged clouds, leaving a headless hulk.

How the story came about:
The Cape of Good Hope was also known as the Cape of Storms because of the treacherous winter storms that resulted in a total of 26 shipwrecks at Cape Point alone.
Legend has it that when Bartholomew Dias rounded this Cape of Storms and saw Table Mountain, he thought he was seeing a gigantic titan of the deep with it’s head veiled in white clouds. He imagined that the tides that foamed around the foot of the great mountain were the titan’s roar. The moment of Dias’ first sighting of this titan was described in the poem, Lusiadas, by Portuguese poet, Camoes. Camoes called the monster Titan Adamastor and depicted him as condemned to dwell imprisoned forever in the ‘furtherest confines of the south’ – the Cape of Storms. According to the poem, this sentence was passed by Jupiter when the Titans were vanquished following a war between these deities that lasted ten years. Adamastor and his brothers were imprisoned in various huge mountains around the world. Adamastor was filled with bitterness at his imprisonment and at losing the love of the queen of the sea, Thetis, and he swore eternal vengeance on all who should approach him and disturb his solitude. He shouted his rage and warnings of doom at Dias when he rounded the Cape.
In 1500, Dias returned to the Cape of Storms on his way to Sofala. As his fleet rounded the Cape it encountered a violent storm. Four of the ships, including the one captained by Dias, disappeared and Adamastor’s warning was fulfilled. From this unfortunate maritime disaster, the legend of the Flying Dutchman came into being.The Flying Dutchman is a legendary ghost ship which is said to have never been able to make port and is doomed to sail the oceans forever.
(and i have to tell you, folks, The Behemoth is one fine read!)
Continue reading “Robbie Cheadle’s ‘The Behemoth’ in WordCrafter Press’ Midnight Roost Anthology”