Can I be honest about your writing? (Part 6 – Opinions are not Facts)

Listen. Understand. Act.

Part 1 – Oh, the Vanity of it all! of this multi-post arc dealt with some folks I knew who vanity published their books back when we called vanity publishers “vanity publishers”.
Part 2 – Vanity/Self-Publishing provided an overview of Vanity and Self publishing.
Part 3 – What Camp Are You In? identified four reasons people consider self-publishing.
Part 4 – Pray thee, Joseph, 4 Y do these books suck? delved into editing that doesn’t help a book.
Part 5 – Could you provide examples of suckness? shared some examples of improving sucky writing (my own).

A woman read the opening of a play at a writers’ group I recently attended. She had four characters talking to each other for about eight pages. Not doing anything, just talking.

Ever been at a party and walk up to a group of people talking then discover both they and their conversation are boring as hell?

You look around for another group, one where voices are raised or there’s laughing, one where, even though the people are standing, they’re animated, moving their arms, nodding or shaking their heads to whatever’s being said, stepping back and forth, their bodies demonstrating their feelings about the conversation.

You strategize ways to get out of the boring group and into the interesting group simply because it is interesting!

People reading your story or watching your play behave much the same. If your characters, setting, situation, whatever, is dull, they’ll stop reading, change the channel, get up and leave the theater, take your pick. People need a reason to put their attention on your material. Give it to them.
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Can I be honest about your writing? (Part 5 – Could you provide examples of suckness?)

Tell the same story better

Part 1 – Oh, the Vanity of it all! of this multi-post arc dealt with some folks I knew who vanity published their books back when we called vanity publishers “vanity publishers”.
Part 2 – Vanity/Self-Publishing provided an overview of Vanity and Self publishing.
Part 3 – What Camp Are You In? identified four reasons people consider self-publishing.
Part 4 – Pray thee, Joseph, 4 Y do these books suck? delved into editing that doesn’t help a book.

Can I provide specific examples from other authors, no. I may think a given author’s writing sucks or an individual piece of writing sucks and I still respect the fact that they’re putting something out, that they got off the couch.

General examples, sure:
Continue reading “Can I be honest about your writing? (Part 5 – Could you provide examples of suckness?)”

Can I be honest about your writing? (Part 4 – Pray thee, Joseph, 4 Y do these books suck?)

Blame the editor. Sometimes.

Part 1 – Oh, the Vanity of it all! of this multi-post arc dealt with some folks I knew who vanity published their books back when we called vanity publishers “vanity publishers”.
Part 2 – Vanity/Self-Publishing provided an overview of Vanity and Self publishing.
Part 3 – What Camp Are You In? identified four reasons people consider self-publishing.

What is my definition of “suck”?

Glad you asked because I’m not talking genre. I read poetry, genre, non-fiction, biography, … take a look at my Goodreads reviews. Do a title sort and you’ll see I read books all across the board. Titles beginning with “A” breakdown as follows:

  • Archeology – 1
  • Biography – 1
  • Classics – 1
  • Fantasy – 3
  • Humor – 3
  • Literary Analysis – 2
  • Literary Fiction – 2
  • Marketing – 1
  • Mystery – 3
  • Psychology – 2
  • Science Fiction – 5
  • Social Commentary – 3
Storytelling deals with “Do you have an interesting story to tell?”, storycrafting deals with “Can you tell your story in an interesting way?”

Continue reading “Can I be honest about your writing? (Part 4 – Pray thee, Joseph, 4 Y do these books suck?)”

Stanley Fish’s “How to Write a Sentence: and How to Read One”

Is that an adverbial clause in your pocket or are you happy to see me?

How to Write a Sentence: and How to Read One was an interesting read that spawned my Great Opening Lines blog posts. I enjoyed it, didn’t always agree with it. The one truly fatal flaw (to me) is the lack of exercises, something like “Here’s a rotten sentence, fix it. See possible solutions in Appendix A”.

 
Fish’s explanations of what makes a sentence worth reading become – to me – increasingly complex as the book progresses. I was bordering on being lost by the time I got to his “First Sentences” chapter and started skimming, looking for the meat – the very thing he warns authors against – too many readers, when unsure of what’s going on – skim until they get to something they can understand.
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Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines)

Opening lines that propel the reader into the mythic

This post is the third in a series on what makes any story’s – flash through novel – opening line great. Part 1 provided some background and why opinions only matter if you know enough about a subject to make an informed decision.
Part 2 covered what makes an opening line great.
Let me know what you think are great opening lines and I’ll include them in the series provided you explain what makes them great.

Fish mentions some websites that list beautiful sentences. You can find websites that list great opening lines and Fish has a “First Sentences” chapter in his book.

I had a problem with the websites: they offered a line, its source, but didn’t explain why the line is great.

How frustrating!

Perhaps they feared being subjective, hence being called in error. Kind of like everybody pointing at the sun and saying “That’s the sun.” Not much argument. Ask “Why is that the sun?” and people wonder at your intelligence if not sanity; isn’t it perfectly obvious that the sun is “the sun”?
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