Great Opening Lines – and Why! (December 2023’s Great Opening Lines)

I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.

My last entry in this category was August 2023’s Great Opening Lines – and Why! (August 2023’s Great Opening Lines) which covered Angela PanayotopulosThe Wake Up. This entry in the Great Opening Lines – And Why! posts is Hal Clement‘s Hot Planet.
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Great Opening Lines – and Why! (August 2023’s Great Opening Lines)

I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.

My last entry in this category was January 2023’s Great Opening Lines – and Why! (January 2023’s Great Opening Lines) which covered Lidia Yuknavitch’s‘s The Chronology of Water. This entry in the Great Opening Lines – And Why! posts is Angela PanayotopulosThe Wake Up.
Continue reading “Great Opening Lines – and Why! (August 2023’s Great Opening Lines)”

StoryCrafting and StoryTelling

“Interesting” is subjective. What doesn’t interest some people may excite others. 🙂

I take part in book review groups – you review mine, I’ll review yours – and I let people know going in I’m a tough reviewer.

The reason I’m a tough reviewer is fairly simple: I review books based on an author’s storycrafting and storytelling skills, not a book or story’s genre.

…good writing is good writing is good writing.

 
I’ve reviewed romance, poetry, chicklit, adventure, MG, and early readers, along with sf/f/h, and regardless of genre good writing is good writing is good writing.

Likewise, sometimes a writer is incompetent and their work sucks.

Storytelling – does the author have an interesting story to tell? Storycrafting – does the author tell the story in an interesting way?

 
For me, it comes down to storycrafting and storytelling. Storytelling – does the author have an interesting story to tell? Storycrafting – does the author tell the story in an interesting way?

Someone can have an amazing story to tell and do it poorly, kind of like a college prof who’s expert in their field and boring as heck in the lecture hall. That’s good story to tell told poorly. The prof who isn’t expert in their field and keeps the students interested has craft but no story.

Then there’s Door #3 – The prof who is both expert in their field and keeps the students interested, enthused about the subject and wanting to know more has both crafting and telling down cold. This is where you want to be if you want to be (in my opinion) an author worth reading.

The statement “What’s interesting is subjective” is true to a point. But yell Fire! or Rape! or Gun! and you’ll get people’s attention because some things aren’t subjective. Get someone’s attention first, they’ll decide if what got their attention is interesting enough to keep their attention.

But the key is getting their attention first, and that is done through good to excellent storycrafting and storytelling skills (and if you’re wondering what gives me the right to talk about such things, take a look at my patents and/or read Reading Virtual Minds Volume I: Science and History).

You’re sharing this because…?


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Foreshadowing

I recently reread John Crowley’s Beasts and am reading James Dickey’s Deliverance and am recognizing something I’ve known for a long time and today, for some reason, is being hammered into me – Foreshadowing.

Adjective: foreshadowing
1. Indistinctly prophetic
Noun: foreshadowing
1. The act of providing vague advance indications; representing beforehand
Verb: foreshadow
1. Be a sign of something to come, esp. something important or bad

Foreshadowing is something I ususally recognize after the fact. Sometimes I’ve read something and am surprized by the climax/outcome, except I’m really not.

“…the story fails because you can’t completely, unexpectedly surprise a reader and expect to get away with it.

 
A story which completely surprises leaves me going WTF?. If I didn’t see something coming, if it happens totally out of nowhere, if there’s no precedent for it, if it’s not foreshadowed, the story fails because you can’t completely, unexpectedly surprise a reader and expect to get away with it. You’ve violated the promise you made when the reader agreed to sit down and read your work.

However, a story which surprises me, even causes me to say, “I didn’t see that coming,” but simultaneously satisfies me, that’s different.

I’ve often said and written one of my joys when talking with my readers is their sharing how my story resolutions catch them by surprise, but when they think about it, everything was foreshadowed somehow.

Regular readers know my style, voice, and technique well enough to notice when something is foreshadowed. They don’t know what it is, but do recognize a particular phrase points to something.

Reading Deliverance and knowing the outcome, I’m quickly recognizing a different kind of foreshadowing and something I will practice – now that I recognize it – because I believe it’ll take my writing to the next level.


Greetings! I’m your friendly, neighborhood Threshold Guardian. This is a protected post. Protected posts in the My Work, Marketing, and StoryCrafting categories require a subscription (starting at 1$US/month) to access. Protected posts outside those categories require a General (free) membership.
Members and Subscribers can LogIn. Non members can join. Non-protected posts (there are several) are available to everyone.
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Great Opening Lines – and Why! (October 2022’s Great Opening Lines)

I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.

My last entry in this category was July 2022’s Great Opening Lines – and Why! (May 2022’s Great Opening Lines) which covered Binah Shah’s Before She Sleeps. This entry in the Great Opening Lines – And Why! posts is Laura Koerber‘s Coyote’s Road Trip.
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