Cozy Author Donna Huston Murray and I Have a Lively Discussion (Part I)

[[Cozy Author Donna Huston Murray and I Have a Lively Discussion (Part I)]]
Long ago I interviewed Donna Huston Murray and we remained friends ever since. Donna helped me with some troublesome characters, plotting, and some marketing, and I sent her flowers and chocolate.

Okay, not really but I wanted to.

We stayed in touch and recently came up with an idea for an non-interview; just sitting and talking with each other. Minimal selling, lots of sharing.

 
By the way, you can find her via her website, on Amazon, and lots of other nifty places.

StoryCrafting and StoryTelling

“Interesting” is subjective. What doesn’t interest some people may excite others. 🙂

I take part in book review groups – you review mine, I’ll review yours – and I let people know going in I’m a tough reviewer.

The reason I’m a tough reviewer is fairly simple: I review books based on an author’s storycrafting and storytelling skills, not a book or story’s genre.

…good writing is good writing is good writing.

 
I’ve reviewed romance, poetry, chicklit, adventure, MG, and early readers, along with sf/f/h, and regardless of genre good writing is good writing is good writing.

Likewise, sometimes a writer is incompetent and their work sucks.

Storytelling – does the author have an interesting story to tell? Storycrafting – does the author tell the story in an interesting way?

 
For me, it comes down to storycrafting and storytelling. Storytelling – does the author have an interesting story to tell? Storycrafting – does the author tell the story in an interesting way?

Someone can have an amazing story to tell and do it poorly, kind of like a college prof who’s expert in their field and boring as heck in the lecture hall. That’s good story to tell told poorly. The prof who isn’t expert in their field and keeps the students interested has craft but no story.

Then there’s Door #3 – The prof who is both expert in their field and keeps the students interested, enthused about the subject and wanting to know more has both crafting and telling down cold. This is where you want to be if you want to be (in my opinion) an author worth reading.

The statement “What’s interesting is subjective” is true to a point. But yell Fire! or Rape! or Gun! and you’ll get people’s attention because some things aren’t subjective. Get someone’s attention first, they’ll decide if what got their attention is interesting enough to keep their attention.

But the key is getting their attention first, and that is done through good to excellent storycrafting and storytelling skills (and if you’re wondering what gives me the right to talk about such things, take a look at my patents and/or read Reading Virtual Minds Volume I: Science and History).

You’re sharing this because…?


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The Alibi (A John Chance Mystery) – Chapter 8 (Yep, New)

(i can tell you right now this chapter will either get moved to a new location.
Extra points if you can guess why (leave your idea in the comments))

The Alibi – Chapter 8

 
Ed reached up and caressed a ripening apple. It hung like a glittered like a red and green Christmas ornament in the sun. Except for the August heat and the gnarling branches of the apple tree, Ed remembered a childhood with Christmas treats and presents and goodies and smells of baking and roasting permeating his house. He wondered what became of this brothers and sisters. Christmas was one of the few days everyone came together in the orphanage. There were times he missed it so.

He snapped the apple from its stem and bit into it. Sweet nectar of the sun dribbled down his stubbled chin, over his fingers, pooled in his palm.

Morelli’s Impala came up his dirt road. A short bed lowboy, two men in overalls in the cab, came up behind it hiding something big and roundish under a tent sized tarp. A knuckle boom crane sat at the very end of the lowboy, its crane reaching over the tarp and locked in position behind the cab.

Morelli got out of his Impala and pointed to a large shed at the far end of the road, on the far side of the orchard.

Voss shouted, “If what’s under the tarp is sensitive, better let them know that track’s rutted from tractor tires.”

Morelli called up to the lowboy’s cab. “You got that?”

The driver held a thumb’s up towards Voss. The lumper got out of the cab and stood five feet in front of the hood.

“And you damage any growing thing, I’ll put a shotgun shell into whatever’s under that tarp myself.”

Both driver and lumper gave Voss a thumb’s up.

The lumper got ten feet in fromt of the truck, turned to face it, and waved his hands to guide it forward. The driver kept his eyes on the lumper’s hands and never took the lowboy out of low gear. He let the diesel’s idle drive the lowboy forward.

Morelli came up beside Voss. “Did I tell you the Director sends her thanks?”

Voss focused on Morelli’s abdomen before looking up.

“Will you stop doing that?”

“Going to tell me what’s under the tarp?”

“You want G20 or higher security clearance?”

“And you know for a fact this isn’t going to harm my orchards?”

“I asked. Nobody thinks it could. It’s completely passive. No moving parts. Just…” Morelli stopped, looked down, cleared his throat.

“Just a lot of direcitional and distance sensing gear?”

Morelli frowned at him. “What makes you say that?”

“You didn’t do a deep background check on me once your found out who I am?”


Previous entries in The Alibi (A John Chance Mystery)

Did You Hear the Owl Call Your Name?

With all due respect to Margaret Craven’s amazing and powerful 1967 I Heard the Owl Call My Name, I invite you to sit somewhere quiet, increase the volume on your device, and listen to one of Susan’s girls.

You can ask Susan what I mean by that.

I first read Craven’s novel in the late ’60s while staying with some friends in Quebec’s Eastern Townships.

The novel’s stayed with me ever since.

So an homage if you will.

Or more correctly, a biblioage, or perhaps a librage.

 

The Alibi (A John Chance Mystery) – Chapter 7 (Yes, Another New One)

The Alibi – Chapter 7

 
Voss felt a tingling along his arms, looked up, and saw Morelli’s Impala coming up the dirt road to his farm.

Morelli got out and waved.

“Didn’t expect to see you back so soon. Still haven’t seen Gio. Don’t know where he is.”

“Couldn’t keep away. I need a favor.”

“Do I have to kill somebody?”

Morelli chuckled. “Sorry, that’s not in our charter. Did you have somebody in mind?”

“What’s the favor?”

“You have any outbuildings you’re not using? Empty? Maybe a small barn or big shed? And not near your house?”

“What are you going to use it for?”

“Storage. And I’ll pay any rent or fees you want.”

Voss cocked his head at him and snorted.

Morelli reached into his pocket and pulled out a roll of bills secured with a thick elastic band. “Off the books. Nobody needs to know. What’s your price?” He undid the elastic. Ben Franklin frowned up at Ed from the top bill.

“Don’t you work for the government?”

“Right hand left hand thing. I won’t tell anybody if you won’t. So?”

Voss kept his eyes on Morelli. “Last time I saw a roll of bills like that was in an FBI Al Capone movie. What d’you want the buildling for?”

“The Costner-Connery-Di Nero one? Yeah, that was a good one.” Morelli paused. “You’re not buying the storage story, huh?”

“Uh-uh. Your attitude makes me think this is something illegal. Is this illegal?”

“Hey, I work for the government, remember?”

“Is this illegal?”

Morelli wrapped the elastic back around the bills and shoved the roll back in his pocket. “I told them this wasn’t the right approach.” He sighed. “Can I ask you a question?”

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Previous entries in The Alibi (A John Chance Mystery)