Revision

Pesky commas, Da Vinci's pockets and more

Do you revise? Do you get something down once then go over it again? And again and again? And again?

No, scratch that last “And again?” It’s too much.

No, it’s good. It adds emphasis. It demonstrates emotional commitment on the part of the author.

Oy!

I know musicians revise their compositions and painters revise their paintings. There’s a story that Da Vinci carried the Mona Lisa with him where ever he went and took it out from time to time to change something.

I can’t imagine him carrying around his painting supplies and, in the middle of a papal audience, adding an eyelash here or removing a birthmark there.
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So I gave myself an exercise (eating my own dogfood)…

...and it was oh so good!

You see a lot, doctor. But can you point that high-powered perception at yourself? What about it? Why don’t you – why don’t you look at yourself and write down what you see? Or maybe you’re afraid to…
– Clarice Starling in The Silence of the Lambs

 
If you’ve read Writers’ Groups – Introduction, Writers’ Groups – Critiques and Butchers, Bakers and Candlestick Makers then you know I’m on a quest.

To find a critique group that does critiques as I do them.
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Butchers, Bakers and Candlestick Makers

Oh, it's cruel to be kind

Tough lessons last week.

Long ago (in internet time) I had my own company. It did well enough to keep us going for 20+ years. One of the things I learned during that time was how amazingly easy it was to piss people off.

For the most incredible, unbelievable reasons.
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Writers’ Groups – Critiques

emPHAsis and sylLAbles

(picking up from where I left off in Writers’ Groups – Introduction…)

My core reason for all the socializing that’s part of any writers’ group is to learn, improve, increase.

Learning, improving and increasing comes from critiquing others’ work and having my own work critiqued, and critiquing is a learned skill (my opinion, that).

Critiques are not Reviews
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Writers’ Groups – Introduction

Questing...or so it seems

I’m involved with a few writers’ groups.

<ASIDE>
“involve” is one of those words that conveys so much, isn’t it? “How are you involved with…?”, “It’s involved…”, “We’re involved (in a relationship/in an activity).”, “Finding an adequate solution involves…”, “We haven’t determined my level of involvement yet.” (that last one is a business euphemism for “What do I get?”)
“involve” is a gateway word, a word that gets you from one side to the other. You need to know what’s on either side of it to appreciate what’s happening with it, what it’s signalling you, what it’s telling you. “involve” is a transitive verb, meaning it takes a direct object, hence its transportational qualities.
I wrote about another fascinating word, “affair”, in The Complete Eventing Yourself Arc.
</ASIDE>
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