You want readers familiar with your work, you don’t want critiquers familiar with your work
I previously discussed The 20 Page Whack critiquing method. This time I’ll focus on a critiquing method wherein one person reads a piece and then others, who haven’t read it previously nor read along as it’s being read, critique it.
Finding a critique group that’s good for you is based on one question:
What is your goal/reason for being in a critique’ group?
I answered this question as it pertains to myself in Writers’ Groups – Introduction and The 20 Page Whack; improve my storytelling and storycrafting/increase my skill levels/learn my craft.
As mentioned previously, I’m discussing critiquing groups that meet monthly and of course, I’m discussing methodologies I’ve experienced.
Someone reads a piece and people critique it after it’s read. Nobody sees the material before it’s read.
Strong suggestion up front; Attend a few of these meetings before you read your work to them.
Continue reading “Writers Groups – Critiquing Methods – Read ’em and Weep”
A formidable method that’s off-putting at first (to me, anyway)
Long ago and far away I mentioned writing something about my experiences in different writers’ groups.
Okay, I mentioned it as the last line in Writers’ Groups – Critiques. I’ve been a little busy and I’m getting back to it now.
Finding a critique group (different from writers’ group in my mind. A writers’ group has a purely social agenda. A critique group has a work agenda) that’s good for you is based on one question:
What is your goal/reason for being in a critique group?
Continue reading “Writers Groups – Critiquing Methods – The 20 Page Whack”
Pesky commas, Da Vinci’s pockets and more
Do you revise? Do you get something down once then go over it again? And again and again? And again?
No, scratch that last “And again?” It’s too much.
No, it’s good. It adds emphasis. It demonstrates emotional commitment on the part of the author.
I know musicians revise their compositions and painters revise their paintings. There’s a story that Da Vinci carried the Mona Lisa with him where ever he went and took it out from time to time to change something.
I can’t imagine him carrying around his painting supplies and, in the middle of a papal audience, adding an eyelash here or removing a birthmark there.
Continue reading “Revision”
You see a lot, doctor. But can you point that high-powered perception at yourself? What about it? Why don’t you – why don’t you look at yourself and write down what you see? Or maybe you’re afraid to…
– Clarice Starling in The Silence of the Lambs
If you’ve read Writers’ Groups – Introduction, Writers’ Groups – Critiques and Butchers, Bakers and Candlestick Makers then you know I’m on a quest.
To find a critique group that does critiques as I do them.
Continue reading “So I gave myself an exercise (eating my own dogfood)…”
(picking up from where I left off in Writers’ Groups – Introduction…)
My core reason for all the socializing that’s part of any writers’ group is to learn, improve, increase.
Learning, improving and increasing comes from critiquing others’ work and having my own work critiqued, and critiquing is a learned skill (my opinion, that).
Critiques are not Reviews
Continue reading “Writers’ Groups – Critiques”