A definite keeper. A resource. Read it twice and will read it again.
Rarely have I read a book that covers the entirety of a subject so well, so elegantly, so masterfully, with detailed examples and explanations. I had trouble finding pages I didn’t dogear, highlight portions of, make notes on, et cetera. This book is a must for anyone learning/practicing/perfecting their craft. My great loss is my local library not carrying any of his books. I’ll spend the money to see how this wonderful teacher applies his craft. If he’s half the master at writing as he is at teaching, Whoa!
Continue reading “Oakley Hall’s “The Art & Craft of Novel Writing””
It’s what they don’t tell you that’ll ruin you
Almost every writing-how-to book I’ve read has something about having to read, read, read and write, write, write to be a good author. Few books (nor any classes I’ve taken in classrooms, workshops, online, et cetera) include the two pieces of information without which all the reading and all the writing are…well, maybe not worthless but definitely worth less: How to Read and How to Write.
Read anything and everything. Read omnivorously. Read trashy novels. Read pulp. Read magazine articles, newspapers. Read onlines. Read prizewinners. Read in and definitely outside your genre.
Here’s what nobody told me; Read for craft, not content.
Pay attention to what you’re reading.
Pay attention to how characters are developed, pay attention to how scenes unfold, how things are foreshadowed, pay attention to how mood, atmosphere and tone are constructed to create specific effects. Pay attention to how the author does everything they do to get you to read their story.
Especially pay attention to what they do that makes you stop reading their story.
An example of the former is from Fritz Leiber’s A Pale of Air. I read this story mumbledy-mumbledy years ago and remember literally feeling cold after the first few paragraphs. No idea why and continued blissfully ignorant for ever so long. Take a moment to read the opening and enjoy the chill:
Continue reading “What do you mean, exactly, when you tell me to Read and Write to be an author?”
A worthwhile read to get you to the next level regardless of what level you’re on
Nuance. Technique in Fiction is a must read because it teaches nuance.
It teaches much more. Just when I thought my brain had filled with as much technique and suggestion as possible, there’d be another bit that I had to write down and practice so I could remember it.
The basic takeaway is that authors should read this book after they’ve finished something big (novella, novel, novelette, noveletta, novina…okay, maybe not a novina) so they can figure out how to improve their writing during the rewrite/editing process. Story writers will also benefit provided they give themselves some down time between writing and editing so their minds can absorb what’s in these pages.
Continue reading “Macauley and Lanning’s “Technique in Fiction””
A worthy read for authors regardless of genre
On Writing Science Fiction
is about writing science fiction only as a topic, not as a focus. Somewhere in the book is a money-line about the book teaching writing first, fiction writing second and writing science fiction last.
Quite true and accurate! This book is a gem for anyone who wants to write. Don’t worry about the genre aspect, it’s a great study.
Continue reading “On Writing Science Fiction: The Editors Strike Back”
Paul Darcy Bowles’ “StoryCrafting” offers a good toolbox for writers at any point in their career
is (so far) one of the best all-around books I’ve read on the art of writing. For one thing, Bowles spends a great deal of the book on revision/revising and gets into specifics; things to look for, things to be aware of, what not to do, what to definitely do, … Lots of books talk about revision/revising while not offering much about the mechanics of doing so (my opinion). Bowles also provides ample insight on subjects like POV, Character, Plot, Scene, … It’s truly an good toolbox for anyone learning their craft.
The best part of this is that Bowles demonstrates his process while honoring yours. He makes suggestions for your process and in the end, if something’s working for you and you know it’s working for you, don’t change it. Figure out why/how it’s working and make it better.
Sage words, that.
Continue reading “Paul Darcy Bowles’ “StoryCrafting””